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ISBN:0822331411
Author: Patricia Zavella,Gabriela F. Arredondo,Aida Hurtado,Norma Klahn,Olga Najera-Ramirez
ISBN13: 978-0822331414
Title: Chicana Feminisms: A Critical Reader (Post-Contemporary Interventions)
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Language: English
Category: Womens Studies
Publisher: Duke University Press Books; First edition (July 9, 2003)
Pages: 408

Chicana Feminisms: A Critical Reader (Post-Contemporary Interventions) by Patricia Zavella,Gabriela F. Arredondo,Aida Hurtado,Norma Klahn,Olga Najera-Ramirez



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"Chicana Feminisms" comes alive with theoretical and emotional responses from some of the most exciting thinkers in Chicana feminist social thought. This book is a truly momentous achievement. It will stand the test of time. This item: Chicana Feminisms: A Critical Reader (Post-Contemporary Interventions). There's a problem loading this menu right now.

Post-Contemporary Interventions. Norma Alarcón, Gabriela F. Arredondo, Ruth Behar, Maylei Blackwell, Norma E. Cantú, Sergio de la Mora, Ann duCille, Michelle Fine, Rosa Linda Fregoso, Rebecca M. Gámez, Jennifer González, Ellie Hernández, Aída Hurtado, Claire Joysmith, Norma Klahn, Amalia Mesa-Bains, Olga Nájera-Ramírez, Anna Nieto Gomez, Renato Rosaldo, Elba Rosario Sánchez, Marcia Stephenson, Jose Manuel Valenzuela, Patricia Zavella.

Patricia Zavella, Gabriela F. Arredondo, Aida Hurtado, Norma Klahn, Olga Najera-Ramirez. Patricia Zavella is Professor of Latin American and Latina/o Studies at the University of California, Santa Cruz and coauthor of Telling to Live: Latina Feminist Testimonios, published by Duke University Press.

Chicana Feminisms: A Critical Reader. Durham: Duke University Press, 2003. Elizabeth Salas (a1).

Series Post-Contemporary Interventions. Duke University Press Books. Chicana Feminisms presents new essays on Chicana feminist thought by scholars, creative writers, and artists. Published: 9th July 2003. Durham, NC: Duke University Press, 2003. It is an English that is often heavily inflected with Spanish and raza cultural referents, often with little concession to the Anglo reader, giving it a significant parallel to African-American writing.

Gabriela F. Arredondo, Aida Hurtado, Norma Klahn, Olga Najera-Ramirez, and Patricia Zavella, eds. Chicana Feminisms: A Critical Reader. Durham and London: Duke University Press, 2003). Chicana Feminisms: A Critical Reader is a multidisciplinary anthology of twenty-two essays-eleven essays by scholars and creative writers, followed by eleven "respondent" essays

Abbreviated Curriculum Vitae Gabriela F. Arredondo, P. Latin American & Latina/o Studies Department University of California, Santa Cruz Merrill Faculty Services, Santa Cruz, CA 95064 Tel: 83. 59. University of Illinois Press, 2008. Chicana Feminisms: A Critical Reader, Gabriela F. Arredondo, Aída Hurtado, Norma Klahn, Olga Nájera- Ramírez, and Patricia Zavella, eds. - Cartographies of Americanisms: Mexican Experiences in Chicago, 1916-1939, in Mapping Latina/o Studies: An Interdisciplinary Reader, eds. Angharad N. Valdivia and Matt Garcia, New York: Peter Lang, 2012. Of Breasts and Baldness: My Life with Cancer, in Speaking From the Body, ed.

ISBN-13: 9780822331414. Authors: Stanley Fish Gabriela F Arredondo Aida Hurtado Norma Klahn. more Olga Najera-Ramirez Olga Nájera-RamÃrez Patricia Zavella. This volume moves the field of Chicana feminist theory forward by examining feminist creative expression, the politics of representation, and the realities of Chicana life. Drawing on anthropology, folklore, history, literature, and psychology, the distinguished contributors combine scholarly analysis, personal observations, interviews, letters, visual art, and poetry.

Chicana Feminisms presents new essays on Chicana feminist thought by scholars, creative writers, and artists. This volume moves the field of Chicana feminist theory forward by examining feminist creative expression, the politics of representation, and the realities of Chicana life. Drawing on anthropology, folklore, history, literature, and psychology, the distinguished contributors combine scholarly analysis, personal observations, interviews, letters, visual art, and poetry. The collection is structured as a series of dynamic dialogues: each of the main pieces is followed by an essay responding to or elaborating on its claims. The broad range of perspectives included here highlights the diversity of Chicana experience, particularly the ways it is made more complex by differences in class, age, sexual orientation, language, and region. Together the essayists enact the contentious, passionate conversations that define Chicana feminisms.

The contributors contemplate a number of facets of Chicana experience: life on the Mexico-U.S. border, bilingualism, the problems posed by a culture of repressive sexuality, the ranchera song, and domesticana artistic production. They also look at Chicana feminism in the 1960s and 1970s, the history of Chicanas in the larger Chicano movement, autobiographical writing, and the interplay between gender and ethnicity in the movie Lone Star. Some of the essays are expansive; others—such as Norma Cantú’s discussion of the writing of her fictionalized memoir Canícula—are intimate. All are committed to the transformative powers of critical inquiry and feminist theory.

Contributors. Norma Alarcón, Gabriela F. Arredondo, Ruth Behar, Maylei Blackwell, Norma E. Cantú, Sergio de la Mora, Ann duCille, Michelle Fine, Rosa Linda Fregoso, Rebecca M. Gámez, Jennifer González, Ellie Hernández, Aída Hurtado, Claire Joysmith, Norma Klahn, Amalia Mesa-Bains, Olga Nájera-Ramírez, Anna Nieto Gomez, Renato Rosaldo, Elba Rosario Sánchez, Marcia Stephenson, Jose Manuel Valenzuela, Patricia Zavella