|Title:||The Cambridge Companion to Berg (Cambridge Companions to Music)|
|Format:||mobi txt doc mbr|
|ePUB size:||1619 kb|
|FB2 size:||1663 kb|
|DJVU size:||1696 kb|
|Publisher:||Cambridge University Press; 1st Edition edition (April 28, 1997)|
Publisher: Cambridge University Press. Online publication date: September 2011. Print publication year: 1997. Online ISBN: 9781139002288. The world of Alban Berg is full of paradoxes, secrets and allusions, but he was able to handle emotional and moral issues at a distance and with profound sympathy. His unhurried, almost aristocratic attitude to life and his extreme self-criticism in professional matters resulted in an extraordinarily small musical output, but it includes towering masterpieces such as the operas Wozzeck and Lulu, and his last work, the Violin Concerto.
CAMBRIDGE UNIVERSITY PRESS Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo Cambridge University Press The Edinburgh Building, Cambridge CB2 8RU, UK Published in the United States of America by Cambridge University Press, New York ww. ambridge. org Information on this title: ww. Her book devoted to harmonics, The Secret Life of Cello Strings (1996), has received critical acclaim and her Elégie for cello and piano has received many performances world-wide.
The Cambridge Companion to. DEBUSSY. 4 for the Alban Berg Sämtliche Werke ; he recently completed Debussy and the Veil of Tonality: Essays on His Music.
Start by marking The Cambridge Companion to Berg as Want to Read: Want to Read savin. ant to Read. It is impossible for us to imagine the impact of his music upon Austrian culture in the early 20th century. His opera, "Wozzeck" made him world famous. He was a bit of a social climber, and knew many famous people. In his letters to his wife, Berg notes how George Gershwin loved Berg's "Lyric Suite" for string quartet and wanted to hear it over and over again
This Companion provides a comprehensive view of Beethoven and his work. The first part of the book presents the composer as a private individual, as a professional, and at the work-place, discussing biographical problems, Beethoven's professional activities when not composing and his methods as a composer. In the heart of the book, individual chapters are devoted to all the major genres cultivated by Beethoven and to the elements of style and structure that cross all genres.
The Cambridge Companion to Ravel This Companion provides a comprehensive introduction to the life, music and compositional aesthetic of the French composer Maurice Ravel (1875–1937). Leading international scholars offer a powerful reassessment of this most private and elusive musician, examining his work in detail within its cultural context.
Part of the Cambridge Companions to Music Series). His unhurried, almost aristocratic attitude to life and his extreme self-criticism in professional matters resulted in an extraordinarily small musical output, but it includes masterpieces such as the operas Wozzeck and Lulu, and his last work, the Violin Concerto.
This Companion gives a comprehensive view of the German composer Johannes Brahms (1833 97). Twelve chapters by leading scholars and musicians provide systematic coverage of the composer's life and works. The volume as a whole is an important addition to Brahms scholarship and provides indispensable information for all students and enthusiasts of Brahms's music. Series: Cambridge Companions to Music.
This Companion contains essays by eminent scholars on Berlioz's place in nineteenth-century French cultural life, on his principal compositions (symphonies, overtures, operas, sacred works, songs), on his major writings (a delightful volume of memoires, a number of short stories, large quantities of music criticism, an orchestration treatise), on his direct and indirect encounters with other famous musicians (Gluck, Mozart, Beethoven, Wagner)