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ISBN:041505527X
Author: Valerie Traub
ISBN13: 978-0415055277
Title: Desire and Anxiety: Circulations of Sexuality in Shakespearean Drama (Gender, Culture, Difference)
Format: txt docx azw mbr
ePUB size: 1712 kb
FB2 size: 1923 kb
DJVU size: 1704 kb
Language: English
Category: Humanities
Publisher: Routledge; 1st edition (July 21, 1992)
Pages: 160

Desire and Anxiety: Circulations of Sexuality in Shakespearean Drama (Gender, Culture, Difference) by Valerie Traub



Gender, culture, difference. On this site it is impossible to download the book, read the book online or get the contents of a book. The administration of the site is not responsible for the content of the site. The data of catalog based on open source database. All rights are reserved by their owners. Download book Desire and anxiety : circulations of sexuality in Shakespearean drama, Valerie Traub.

Details the relation between gender and sexuality in the early modern period, through close readings of Shakespeare's plays. From the perspective of recent gay and lesbian theory, Traub explores the psychic and social, individual and institutional.

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Valerie Traub argues that desire and anxiety together constitute the erotic in Shakespearean drama – circulating throughout the dramatic texts, traversing ‘masculine’ and ‘feminine’ sites, eliciting and expressing heterosexual and homoerotic fantasies, embodiments, and fears.

Traub, Valerie 1992: Desire and Anxiety: Circulations of Sexuality in Shakespearean Drama. Lon- don and New York, Routledge. GENDER AMBIGUITY AND DESIRE IN TWELFTH NIGHT 287 Woodbridge, Linda 1984: Women and the English Renaissance: Literature and the Nature of Womankind, 1540-1620. Brighton, Harvester Press.

Although such gender confusion is often interpreted by critics in terms of homosexual desire, the power dimension is at least as relevant within the Elizabethan context. Consistently, within these poems, the acquisition of sexual power and authority involves the construction of a gendered identity  . Traub, V. (1992) Desire and Anxiety: Circulations of Sexuality in Shakespearean Drama. London and New York: Routledge. Wells, S. (2002) Shakespeare for All Time.

Circulations of Sexuality in Shakespearean Drama. series Routledge Revivals. First published in 1992, this book details the intersections and contradictions between sexuality and gender in the early modern period. Valerie Traub argues that desire and anxiety together constitute the erotic in Shakespearean drama – circulating throughout the dramatic texts, traversing ‘masculine’ and ‘feminine’ sites, eliciting and expressing heterosexual and homoerotic fantasies, embodiments, and fears.

The forty established and emerging scholars whose work is included in this volume bring an expansive understanding of feminism to questions of embodiment in Shakespeare and early modern studies. She is the author of Thinking Sex with the Early Moderns (University of Pennsylvania Press, 2016), The Renaissance of Lesbianism in Early Modern England (Cambridge University Press, 2002), and Desire & Anxiety: Circulations of Sexuality in Shakespearean Drama (Routledge, 1992; reissued 2014). Her current project is Mapping Embodiment in the Early Modern West: A Prehistory of Normality.

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In both feminist theory and Shakespearean criticism, questions of sexuality have consistently been conflated with questions of gender. This book refuses this all too common approach by detailing instead the intersections and contradictions between sexuality and gender in the early modern period. It argues that desire and anxiety together constitute the erotic in Shakespearean drama - circulating throughout the dramatic texts, traversing "masculine" and "feminine" sites, eliciting and expressing heterosexual and homoerotic fantasies, embodiments, and fears. Taking heterosexuality and homoeroticism equally seriously, this is the first book to present a non-normalizing account of the unconscious and institutional prerogatives that comprise the erotics of Shakespearean drama. Employing feminist, psychoanalytic, and new historical methods, using each to interrogate the other, the book implements a long overdue synthesis of the psychic and the social, the individual and the institutional. This book should be of interest to students and lecturers of Shakespeare and Renaissance literature.