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ISBN:0415277876
Author: Gwendolyn Audrey Foster
ISBN13: 978-0415277877
Title: Experimental Cinema, The Film Reader (In Focus: Routledge Film Readers)
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Language: English
Category: Humanities
Publisher: Routledge; 1st edition (October 27, 2002)
Pages: 368

Experimental Cinema, The Film Reader (In Focus: Routledge Film Readers) by Gwendolyn Audrey Foster



Experimental Cinema: The Film Reader offers a wide selection of history, theory, criticism, interviews, and original writings by filmmakers of the American avant-garde. any reader will ultimately find this collection a welcome addition to the literature on a form of filmmaking that has received limited critical attention. Stuart Minnis, Journal of Film and Video. This book covers a lot of familiar territory I've read in other film books, but Dixon and Foster have pulled out articles that give these topics a unique spin. For example, I particularly enjoyed Juan A. Suarez's "Pop, Queer, or Fascist? The Ambiguity of Mass Culture in Kenneth Anger's Scorpio Rising". Series: In Focus: Routledge Film Readers.

Paperback – 2006-09-05 Routledge In Focus: Routledge Film Readers. Color, The Film Reader. Movie Acting: The Film Reader explores one of the most central but often overlooked aspects of cinema: film acting. Experimental Cinema, The Film Reader. This volume provides a comprehensive guide to the long tradition of American avant-garde cinema, from its origins in the 1920s to the work of contemporary film and video artists. The Reader addresses major movements and key figures of the avant-garde, including filmmakers such as Andy Warhol. aperback – 2002-09-26 Routledge In Focus: Routledge Film Readers.

Gwendolyn Audrey Foster is Associate Professor in the Department of English at the University of Nebraska. In Focus: Routledge Film Readers. Learn mor. ubject Categories.

Start by marking Experimental Cinema, The Film Reader (In Focus: Routledge Film Readers) as Want to Read: Want to Read savin. ant to Read. Details (if other): Cancel. Thanks for telling us about the problem. Experimental Cinema, The Film Reader (In Focus: Routledge Film Readers). by. Gwendolyn Audrey Foster

In focus-Routledge film readers. source: Nielsen Book Data)9780415270527. Experimental Cinema, The Film Reader brings together key writings on American avant-garde cinema to explore the long tradition of underground filmmaking from its origins in the 1920s to the work of contemporary film and video artists. The Reader traces the development of major movements such as the New American Cinema of the 1960s and the Structuralist films of the 1970s, examining the work of key practitioners and recovering neglected filmmakers.

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Routledge Published September 26, 2002 Textbook - 368 Pages ISBN 9780415277877 - CAT RU24263 Series: In Focus: Routledge Film Readers. Routledge Published October 3, 2002 Textbook - 366 Pages ISBN 9780415277860 - CAT RU24262 Series: In Focus: Routledge Film Readers. For Instructors Request Inspection Copy. Gwendolyn Audrey Foster is Associate Professor in the Department of English at the University of Nebraska. We provide complimentary e-inspection copies of primary textbooks to instructors considering our books for course adoption.

The Reader addresses major movements and key figures of the avant-garde, including filmmakers such as Andy Warhol, Kenneth Anger, Isaac Julien and Julie Dash, investigates how underground films have explored issues of gender, sexuality and race, and foreground technical innovations such as the use of Super 8mm and video. The Reader addresses major movements and key figures of the avant-garde, including filmmakers such as Andy Warhol, Kenneth Anger, Isaac Julien and Julie Dash, investigates how underground films have explored issues of gender, sexuality and race, and foreground technical innovations such as the use of Super 8mm and video.

com Product Description (ISBN 0415277876, Paperback).

This volume provides a comprehensive guide to the long tradition of American avant-garde cinema, from its origins in the 1920s to the work of contemporary film and video artists.

Experimental Cinema, The Film Reader brings together key writings onAmerican avant-garde cinema to explore the long tradition of underground filmmaking from its origins in the 1920s to the work of contemporary film and video artists. The Reader traces the development of major movements such as the New American Cinema of the 1960s and the Structuralist films of the 1970s, examining the work of key practitioners and recovering neglectedfilmmakers. Contributors focus on the ways in which underground films have explored issues of gender, sexuality and race, and foreground important technical innovations such as the use of Super 8mm and video. Each section features an editor's introduction setting debates in their context. Sections include:*Origins of the American avant-garde cinema - Explores the influence of the birth of experimental film, and considers the early work of filmmakers such as Maya Deren.*The 1960s experimental film explosion - traces the development of the New American Cinema, examining the influence and work of key filmmakers such as Kenneth Anger, Jack Smith, Andy Warhol, Stan Brakhage, and collage filmmaker Bruce Conner.*Structuralism in the 1970s - Identifies and discusses the main figures in Structuralist film including Michael Snow and Hollis Frampton.*Alternative cinemas - Examines the work of recent filmmakers such as Isaac Julien, Julie Dash, and Barbara Hammer, and considers the future of experimental film.Contents1. The First American Film Avant-Garde, 1919-1945 by Jan-Christopher Horak2. Notes on the New American Cinema by Jonas Mekas3. The Woman Filmmaker in the New York Avant-Garde by Lauren Rabinovitz4. Women in the Avant-Garde: Germaine Dulac, Maya Deren, Agnes Varda, Chantal Akerman and Trinh T. Minh-ha by Judith Mayne5. Pop, Queer or Fascist? The Ambiguity of Mass Culture in Kenneth Anger's Scorpio Rising by Juan A. Suarez6. Stan Brakhage - The 60th Birthday Interview by Suranjan Ganguly7. The Perfect Queer Appositeness of Jack Smith by Jerry Tartaglia8. An Interview with Carolee Schneemann by Kate Haug9. The Flower Thief and The Film Poem: Warhol's Early Films and the Beat Writers by Reva Wolf10. Walking on Thin Ice: The Films of Yoko Ono by Daryl Chin11. Yoko Ono on Yoko Ono by Yoko Ono12. Structural Film by P. Adams Sitney13. Interview with Michael Snow by Scott MacDonald14. The Films of Warren Sonbert by Phillip Lopate15. Warren Sonbert Interview by David Ehrenstein16. An Interview with Hollis Frampton by Peter Gidal17. Re/Constructing Lesbian Auto /Biographies in Tender Fictions and Nitrate Kisses by Gwendolyn Audrey Foster18. The Films of Sadie Benning and Su Friedrich by Chris Holmlund19. Black Women's Independent Cinema by Gloria J. Gibson20. Dark and Lovely Too: Black Gay Men in Independent Film by Kobena Mercer