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Franco Albini (1905-1977) is often considered to be the most important of the Italian "Neo-Rationalist" designers. After graduating from the Milan Polytechnic in 1929, his work helped herald in a wave of furniture design that successfully combined the new forms of modernism with a more traditional artisanship. Albini started out working in the studio of Gio Ponti. He started his own studio in 1930 where he collaborated frequently with Franca Helg. One of his pioneering pieces from this period was a 1939 radio made of glass, which was innovative in the way it was designed to reveal the internal components of the machine.
Franco Albini: Architettura e design, 1930-1970 (Italian) Paperback – 1 Feb 1980. by Cesare De Santa (Author). ISBN-13: 978-8870380132.
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Franco Albini (17 October 1905 – 1 November 1977) was an Italian Neo-Rationalist architect and designer. A native of Robbiate, near Milan, Albini obtained his degree in architecture at Politecnico di Milano University in 1929 and began his professional career working for Gio Ponti. He started displaying his works at Milan Triennale. In 1930 he opened his own practice. Through his creations, the modern furniture design merged the Italian traditional artisanship with the new forms of modernism. In his creations, he used raw, inexpensive materials.
100% insured shipping and money-back guarantee. Born near Milan in 1905, Franco Albini was an Italian architect, urban planner, and furniture designer active between the 1930s and the 1960s. He studied architecture at Milan’s famous Politecnico, apprenticed under master architect-designer Gio Ponti, and played a key role in formulating the Rationalist movement in Italy prior to World War II.
Albini, Franco Exhibitions. by Robert Ludlum and Gayle Lynds. ISBN: 1559277106 Author: Ludlum, Robert, 1927-2001 Publication & Distribution: Los Angeles, Calif. The data of catalog based on open source database. All rights are reserved by their owners. Download book Franco Albini, 1930-1970.
Minimal in form from concept to design, Albini’s furniture emerged from a traditional Italian craftsmanship practice. Using artisanal materials such as woven cane for the design of some of his most seminal works, such as the Margherita and Gala chairs, Albini applied a modern aesthetic to the design and construction.
Franco Albini was the recipient of many honors in recognition of the importance of his cultural contributions. Among others, he is a member of the INU, the CIAM, the Accademia Ligustica di Genova, MOMA in New York, the ADI, the Accademico di S. Luca, the Fondazione Pagano and the London Royal Society of Arts. The architectural and design work of Franco Albini represents a keystone of the Italian architectonic culture from the early 20th century through his intense activity revolving around a creative and rigorous approach to composition and building that expresses a particularly high degree of estheticism.