|Author:||John T. Booker,Allan H. Pasco|
|Title:||The Play of Terror in Nineteenth-Century France|
|Format:||mobi doc azw rtf|
|ePUB size:||1480 kb|
|FB2 size:||1761 kb|
|DJVU size:||1489 kb|
|Category:||History and Criticism|
|Publisher:||Univ of Delaware Pr (June 1, 1997)|
This volume brings together seventeen studies that were originally presented as papers at the nineteenth annual Colloquium in Nineteenth-Century French Studies held at the University of Kansas in 1993. The contributors all consider one facet or another of the play of terror in nineteenth-century France. Summary, et. In the wake of the French Revolution - and its most enduring image, that of the historical Terror - all aspects of life in France, both public and private, were to be fundamentally changed forever
Nouvelles Françaises Du Dix-Neuvième Siècle Anthologie. Want to Read savin. ant to Read.
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Booker, j. & pasco, a. h. (1997). The play of terror in nineteenth-century France. Newark, University of Delaware Press. MLA (7th e. Booker, John T, and Allan H. Newark: University of Delaware Press, 1997. Turabian (6th e. Booker, John . and Allan H.
In early nineteenth-century France, as we shall see, to write about love, or marriage, or sex, was often to write in a sort of political code. While I shall have relatively little-though certainly not nothing-to say about homosexuality per se in what follows, I shall nevertheless want to suppose that cultural understandings of most aspects of sexual life in most literate societies are shaped by the play of conflicting historical and discursive models.
Calling on history, sociology, and psychology as well as literature as points of reference, Allan Pasco examines the conceptual shift in the ideal of love in eighteenth-century France. Pasco explores the radical, though gradual, changes that occurred during the Enlightenment with respect to how the emotion of love was viewed.