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Download Heartbreak House epub book
Author: Bernard George Shaw
ISBN13: 978-1437895315
Title: Heartbreak House
Format: lrf lit txt docx
ePUB size: 1459 kb
FB2 size: 1754 kb
DJVU size: 1602 kb
Language: English
Category: Dramas and Plays
Publisher: IndyPublish (February 11, 2009)
Pages: 164

Heartbreak House by Bernard George Shaw

Heartbreak House by George Bernard Shaw.

George Bernard Shaw -he later dropped the name George- was born in Dublin in 1856, the third and youngest child of an alcoholic father and an undomestic mother. He developed an interest in literature, music and painting at a very early age, but was never enabled to go to university. At the age of fifteen he became an apprentice and during he stay there he started writing short literary articles for newspapers and magazines, with little success. Shaw wrote ‘Heartbreak House’ in 1913, on the eve of the First World War, but had to postpone the production of the play until after the war, in 1921. He gave the play the subtitle ‘A Fantasia in the Russian Manner on English Themes’, thus inviting comparison with the Russian playwright Chekhov. The action takes place in Heartbreak House, in a room designed to recreate the interior of an old-fashioned ship.

Ebook & House& ebooks list of George Bernard Shaw. Recommended books: Hamlet Arms and the Man Man and Superman Major Barbara. ISBNs: 01404548522971299X 1421807432.

Heartbreak House (Act 1) Lyrics. A row of lockers under the windows provides an unupholstered windowseat interrupted by twin glass doors, respectively halfway between the stern post and the sides. Another door strains the illusion a little by being apparently in the ship's port side, and yet leading, not to the open sea, but to the entrance hall of the house. Between this door and the stern gallery are bookshelves. There are electric light switches beside the door leading to the hall and the glass doors in the stern gallery.

George Bernard Shaw is notorious for writing lengthy prefaces to his plays, but all the same, I’m surprised that I enjoyed the preface to Heartbreak House more than the play itself. In the preface, Shaw excoriates the war delirium that took over the British public from 1914 to 1918, and gives me a better sense than I ever had before about what life was really like on the home front during World War I. (I had no idea there were German air raids on London in WWI – I thought that was only a WWII

Heartbreak House" is George Bernard Shaw's 1919 drama that is the story of Mazzini Dunn and his employer, Alfred Mangan, who is about to marry Mazzini's daughter. In these two characters Shaw draws a sharp contrast between the realist Mangan and the idealist Dunn, a contrast that Shaw uses to express the idea that a cultured and leisured Europe was in his opinion drifting towards destruction. carousel previous carousel next. The Devil's Disciple.

Heartbreak House: A Fantasia in the Russian Manner on English Themes is a play written by George Bernard Shaw, first published in 1919 and first played at the Garrick Theatre in November 1920. According to A. C. Ward, the work argues that "cultured, leisured Europe" was drifting toward destruction, and that "Those in a position to guide Europe to safety failed to learn their proper business of political navigation".

Reviews: 7
Ironically, I detest Shaw, and having read a good bloc of his plays and mini-book prefaces to his plays, I detest his plays in general. Shaw's dramatic characters are invariably one dimensional megaphones, put on stage to popularize either his own idiosyncratic ideas, or-this in his prefaces-to trumpet his own peerless genius in coming up with these ideas. His opinion of mankind in general is barely, if at all, charitable, his being thoroughly convinced that the ignorant masses are and have been manipulated and treated as a potter would wet clay by their opportunistic, soulless elite, be they kings, democratic politicos, professors, clergymen, or big businessmen, since the beginning of time. His opinions and purported sparks of polemical genius can usually be narrated in one quarter the number of words it takes to write them out, and are obviously intended to point to his own writing-creative genius. He reviled Shakespeare (who he always managed to misspell) out of sheer envy; he desired to occupy the top spot of English/Western world drama that was unfortunately already occupied by the Bard of Avon. He admired Stalin, Mussolini and Hitler as needed correctives to the sad, feckless world of post-World War I Western democracy and capitalism. And, by 1940, he had written himself out, in plays at least, and with a decade more of life in him, he had few more ideas to peddle an increasingly alien world, no longer-if ever-hanging on his every too-well enunciated syllable. All this being said, however, the Penguin Classics edition of "Heartbreak House" is a splendid, and a very affordable buy for anyone curious about the drama and polemical prose of this man. The well-written introduction by David Hare makes splendid reading, and argues almost convincingly for Shaw's still-active relevance in the world of ideas and of the stage. If you want to defeat an enemy, or someone whose ideas you revile, you must get to know him through and through, and this necessity is well satisfied by this Penguin Classics edition of this play, along with their full line of Shaw's not at all timeless dramatic productions.
Heartbreak House by George Bernard Shaw. Published by MobileReference (mobi).

This is a fascinating, fast-paced comedy with dark undertones about a bankrupt society. It is set in the late nineteenth - early twentieth century, but the issues turn out to be very contemporary: the question of capitalism, security vs. adventure, gender roles. I recommend it!
Merely a warning about the Dover Thrift Edition of "Heartbreak House": Practically every page has omitted apostrophes and/or added spaces wit hin wor ds. For me, it quickly became tiresome.

(Of course it's possible - though unlikely - that I just got a bad copy from a one-time printing glitch. Your call.)
Bernard Shaw is a great playwright. In this particular play he exposes the shortcomings of English upper classes. They only think of mariage, business, politics, but England is in fact a drunken skipper, a skipper on which every sailor and even the captain are drunk with rum and unable to see the danger coming up and to deal with it. So the skipper is condemned to break on the rocks. England in the same way is condemned to break on the rocks because no one, in the upper classes, thinks beyond their interest. This catastrophe coming up is shown by some kind of supernatural explosion at the end of the play and the members of these upper classes admire the event as being beautiful and they are totally unable to cope. The picture given by Shaw of England is particularly pessimistic. Their is no future and no hope for that country. Along the way he discusses important issues such as the liberation of women within their enslavement and their power is nothing but hypnotism or drowning men in a sea of words and charm. The only sane man in the play is the captain, with an allusion to Whitman, « Captain my captain », who sees the catastrophes coming and is unable to convince his own daughters or their husbands and friends that they have to control the boat if they don't want it to capsize. But does he really want to convince them ?