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Author: Lesley Ferris
ISBN13: 978-0333432914
Title: Acting Women: Images of Women in Theatre (Women in Society)
Format: lrf azw doc lrf
ePUB size: 1307 kb
FB2 size: 1199 kb
DJVU size: 1550 kb
Language: English
Category: Performing Arts
Publisher: Palgrave Macmillan (January 29, 1990)
Pages: 208

Acting Women: Images of Women in Theatre (Women in Society) by Lesley Ferris

PART II ARCHETYPAL IMAGES OF WOMEN IN THEATRE 6. The penitent whore 7. The speechless heroine 8. The wilful woman 9. The golden girl 10. Womenactingmen. In Part II ofthe book, 'Archetypal Images of Women in Theatre', I take up the question of the legacy of male-generated Western theatre by examining some of the major female images, born, like Athena, fully developed from their 'fathers'' heads to play out again and again their fictional existences on the stages of Europe and America.

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Unfortunately, in many cases, women are mistreated badly and very often the importance of women in the society is underestimated. Not long time ago, main activities in women’s lives were considered being a good cook, an abiding wife, taking care of the kids and the household. What else? Actually nothing! Women were not even allowed to vote in past century, there were very few female scientists because women’s education was never encouraged. Meanwhile, men were taking leading positions in business, economy, science and were making the image of the society.

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Feminism and theater Acting Women in the theater Women in literature Drama History and criticism. ISBN: 0521573688 (hb) Publication & Distribution: Cambridge, . The administration of the site is not responsible for the content of the site. The data of catalog based on open source database. All rights are reserved by their owners. Download book Acting women : images of women in theatre, Lesley Ferris.

Altogether, the role of women in society was to make sure that they were obedient wives and caring mothers. They did not have an individuality of their own. Women had to even fight for the basic right of being able to vote. They were given this right in the year 1918, but there was still a disparity between men and women. While the voting age for men was 18 years, it was 21 for women

Women’s Role in Society During the early 1800's women were stuck in the Cult of Domesticity. Women had been issued roles as the moral keepers for societies as well as the nonworking house-wives for families. Also, women were considered unequal to their male companions legally and socially. Because of this women are forced to take on specific roles in society, many of those roles being; taking care of the homestead, children and being dainty and quiet. A son in all sorts of trouble finally seeks out his father for advice during a particularly bad crisis. But when he finds his father wearing an apron while washing dishes in the kitchen, the son recoils in disgust.

When young women played male roles, the roles were taken very seriously. This can be seen through their costumes, their roles that they played and the plays that were represented. However, when it comes to men playing the roles of females, it was unlike the way in which female portrayed males. As quoted from Vicinus pg 20 Men did not impersonate women seriously on the nineteenth century stage. As seen from this quotation, one can deduce that women of this time were not taken in a serious light. Theater, as a form of popular culture, high-lite’s social differences as well as gender roles

Free College Essay Women in Society. acting as an agent of social control over women. The term “agent of. social control” literally means a tool utilized by an agency, which. The role of women in religious scripture dictates an inferior position in society. Beginning with the creation of Adam and then Eve, as his helpmate. Her purpose was that Adam would not be lonely. This origin provides the ground work for inequality of genders on the basis of religious scripture

A study based on the question as to whether there is a boundary between playacting and the "self". The author asks if society and culture conditions women to internalize a means for survival which centers on auditioning, dressing up and wearing costume. It focuses on the revelation that beyond the literary analysis of texts it is performance which offers a key to understanding the social construction of gender as well as the ambigious position of women in the theatre. The author gives a historical analysis of the changing position of women in the theatre from English Renaissance and classical Greek comedy when men played women's roles to women playing men's roles both on the stage in theatrical costume and off the stage in social disguise. In this discourse she discloses an imbalance where women seek freedom through male dress and men achieve aesthetic creativity through acting women.