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ISBN:0521016312
Author: Vera Dika
ISBN13: 978-0521016315
Title: Recycled Culture in Contemporary Art and Film: The Uses Of Nostalgia (Cambridge Studies in Film)
Format: lrf mbr lrf docx
ePUB size: 1899 kb
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Language: English
Category: History and Criticism
Publisher: Cambridge University Press (June 9, 2003)
Pages: 254

Recycled Culture in Contemporary Art and Film: The Uses Of Nostalgia (Cambridge Studies in Film) by Vera Dika



Publication, Distribution, et. Cambridge, . Cambridge University Press, (c)2003. Physical Description: xi, 241 p. : ill. ;, 24 cm. Series Statement: Cambridge studies in film. Bibliography, etc. Note: Includes bibliographical references (p. 231-235) and index. Uniform Title: Cambridge studies in film. ISBN: 9780295989365 (pbk. : alk. paper) Author: Thompson, David, 1770-1857. Publication & Distribution: Seattle. McGill-Queen's University Press, University of Washington Press, and Champlain Society in association with Centre for Rupert's Land Studies at University of Winnipeg, (c)2009.

The reuse of images, plots and genres from film history has become prominent in contemporary culture. In this study, Vera Dika explores this phenomenon from a broad range of critical perspectives, examining works of art and film that resist the pull of the past. Dika provides an in-depth analysis of works in several media, including performance, photography, Punk film, and examples from mainstream American and European cinema

Recycled Culture in Contemporary Art and Film. The uses of nostalgia. University of California, Los Angeles University of Southern California. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2003. Printed in the United Kingdom at the University Press, Cambridge. Dika provides an in-depth analysis of works in several media, including performance, photography, Punk film, and examples from mainstream American and European cinema.

Vera Dika explores the reuse of images, plots and genres of film history from a broad range of critical perspectives. Examining works of art and film that resist the pull of the past, Dika provides an in-depth analysis within a variety of media, including performance, photography, Punk film, and examples from mainstream American and European cinema. Her study analyzes avan Vera Dika explores the reuse of images, plots and genres of film history from a broad range of critical perspectives. Paperback, 254 pages. Published October 18th 2012 by Cambridge University Press (first published June 9th 2003). Home All Categories Humor & Entertainment Books Movie Books Recycled Culture in Contemporary Art and Film: The Uses of Nostalgia (Cambridge Studies in Film). ISBN13: 9780521016315. Recycled Culture in Contemporary Art and Film : The Uses of Nostalgia.

In this study, Vera Dika explores this phenomenon from a broad range of critical perspectives, examining works of art and film that resist the pull of the past. Proclaiming the renewed importance of the image and of genre, she investigates works as diverse as Cindy Sherman's Untitled Film Stills, Amos Poe's The Foreigner, Terence Malick's Badlands, and Francis Ford Coppola's One from the Heart.

Cambridge University Press. Cambridge studies in film. Narrative, apparatus, ideology: a film theory. Library availability. Setting a reading intention helps you organise your reading.

Book DescriptionVera Dika explores the reuse of images, plots and genres of film history from a broad range of critical perspectives. Examining works of art and film that resist the pull of the past, Dika provides an in-depth analysis within a variety. 34. Red Dragon: The Shooting Script (Newmarket Shooting Scripts) Ted Tally Newmarket press, 2002 г. - Based on Thomas Harris 1981 best-selling novel, a prequel to The Silence of the Lambs (1988) and Hannibal (1999), in which serial killer Hannibal Lector is first introduced.

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Vera Dika explores the reuse of images, plots and genres of film history from a broad range of critical perspectives. Examining works of art and film that resist the pull of the past, Dika provides an in-depth analysis within a variety of media, including performance, photography, Punk film, and examples from mainstream American and European cinema. Her study analyzes avant-garde art work within the context of contemporary mainstream film practice, as well as in relationship to their historical moment.